Which Canon Speedlite To Buy
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Hi, Phil Steele here. And I am long overdue for a complete review of the Canon flash lineup because the last time I did one of these it was two years ago and Canon has released a couple of new flashes since then so it's time to revisit the whole Canon flash system and see if we can figure out which one of these flashes is right for your needs.
Now I'm going to go through the whole lineup from the low end to the high end in price and functionality. There are five flashes we're going to consider and we're going to start with the smallest one--the little 270EX2--and that's this little guy right here. As you can see, it's a very small flash. This is the most limited and lightest and least expensive of the Canon flashes. It's limited in many ways compared to the larger ones. It can bounce. By pulling out the little head you can bounce the light off a ceiling but it cannot swivel from side to side. And more importantly, to me, it lacks the infrared focus assist beam that the larger flashes have that help you focus in the dark. If you're trying to focus with this one in the dark it does the little annoying pre-flash thing that blinds your subject. That really rules it out for certain situations for me. It's also very limited in its slave kind of functionality. It can act as a slave using the light-based Canon master-slave system but it has no manual mode so it can't be used as a slave with radio triggers, which is the way I prefer to work so it's a very limited little flash.
Now the 430EX2 is what I consider the core flash of the Canon lineup. If you're only going to have one flash I would recommend it be this one. Or if you're getting a starter flash I would recommend you start with the 430EX. It's reasonably priced. It's a full-featured flash that does everything you need a flash to do. It has the infrared focus assist beam to help you focus on things in the dark. It can swivel. It can tilt to bounce off of things. It can act as a remote slave in multi-flash setups. And there's only one thing that it can't do and we'll talk about that one thing when we talk about the 580. But in general, this is a great flash and it's also fairly small and lightweight, which can be an advantage when you're carrying it on camera compared to the bigger flashes, which even though they have a little more power, they can be a little heavier to carry around. So I love the 430. I have lots of them and you'll probably end up with lots of them too if you remain a Canon shooter for very long.
Now finally, we come to the new high end entry in the Canon flash lineup--the 600EXRT--RT as in \"radio transmitter.\" Now these flashes have radio triggering technology built into them. This is replacing the older, light-based triggering system that the 580EX could use to trigger slave flashes. And this is certainly more convenient than what a lot of us have been doing, which is using radio triggers that we attach to our flashes to get this kind of functionality. But you'll pay a very high price for it with the Canon 600EX because they're currently around $600 each and of course you need multiple flashes if you're going to take advantage of this triggering technology. Now I don't have one because I don't need one of these and maybe if you're like me, you may not need one either because I've already got a large collection of radio triggers that I use with the less expensive flashes and I even have triggers that are capable of doing through the lens metering like these advance Canon flashes are. And the whole system of triggers that I use and flashes that I use cost much less than doing the same thing with these 600EX flashes.
The choice on which to choose just got a little tougher. Gone are the days when you only had three choices, the Good, the Better, and the Best. Now there are almost a dozen Canon Speedlites to choose from.
Nick Constant is a conceptual photographer based in London, England. Letting research dictate his practice, he usually photographs spaces in which events have occurred to make comments on particular situations. He has won numerous awards for his photographic work which has led him to group shows around Europe. Receiving his Masters degree from the Royal College of Art in London, he is still a working practitioner who always has a couple of projects in the works. You can see a small variety of his work on his website: www.nicholasconstant.com
This triggering technology may eventually replace the old light-based triggering system (which is also built into the 600), because the older system is less reliable, limited by distance, and requires a line-of-sight between the master and slave.
So how do you choose a camera flash With so many options on the market, it may feel daunting to try and choose which flash is best for you. Here are a few of the things you should look for when choosing a camera flash.
We hope you enjoyed our guide on how to choose the best camera flash for your DSLR. We know you have many options when it comes to buying, so we hope this article helped you fine-tune an answer to which flash you should invest in. At the end of the day, it all depends on your preferences and needs. But with so many flashes available, you are sure to find the right pick for yourself.
This mid-range model deserves to be called the best speedlite for Canon, judging by its popularity among photographers. It comes with a convenient and simple design and layout, as well as an E-TTL mode of operation. All this makes it incredibly beginner-friendly for those who have not held a flash in their hands before.
This is the best external flash for Canon, which is in great demand among pro-grade photographers who do not skimp on the quality of photographing fast-moving objects. Manufacturers are proud of their brand-new invention and for good reason, because it is the first of its kind flash with a red ring, with which the advanced models of Canon lenses are equipped.
This model is introduced with two rotatable, dismountable flash heads, each of which you can control individually to reach an incredible 3D light effect. The flash also comes with a radio transmission wireless function that allows for deeper settings with multiple light sources. The developers have focused on ease of use, introducing two removable diffusers, an improved LCD screen, and intelligent controls in a new design of the device.
Rotating the device horizontally and vertically helps you achieve greater clarity in your shots. It also comes with a slave mode which is very easy to use and is found in most high-end flashes. Thus, beginners can master it for future use. Summing up, I declare that this is the best external flash for canon at a reasonable price.
To make a successful purchase, it is essential to thoroughly study the product with all its characteristics, and the flash for Canon camera is no exception here. Below you can find out the key specifications for this device, which are important to keep in mind when buying. This will make it loud and simple so that you understand which model will satisfy all your requirements.
The second no less serious parameter to take into account is the combination of exposure metering, which allows the camera to set the desired flash power. There are three methods of metering: manual, automatic, and automatic TTL. Many models are equipped with three modes at once, which allows you to shoot under any conditions.
Accessory flashes such as the Canon Speedlite 430EX Flash and Canon Speedlite 580EX Flashfeature tilt and swivel heads which allows them to redirect the light toward a larger white reflective surface such as a ceiling, wall, piece of white foamcore,commercial reflector ...Thus, the main light becomes the wide reflecting surface being used and the broad light source creates a much softer, less flat and far more pleasing image.The swivel and tilt features allow the 430EX to be aimed as desired.
Are there any benifits to using a speedlite vs. a third party flash I have been thinking of getting a flash and wanted to know what the pros and cons to them are. Any help would be greatly appreciated. Thanks.
Focus assist beam: The flash profects a pattern using a red beam (this is red \"visible\" light though many confuse it for being infra-red because it's hiding behid a red tinted plastic lens) which allows the camera to easily lock on and focus subjects even in completely darkness. This is great for low-light events.
Weather sealing: Canon's higher end flashes have sealed hot-shoes. If the flash is used with a sealed body and sealed lenses then it's safe to use the flash in situations where it may get wet (or dusty) without fear of damage (by which Canon means \"wet\" by being splashed or rained on... not wet by being submerged. Weather seals are not weather-proof.)
BTW, I left out the part about the \"guide number\" of the flash. That's an indicator of how far away the flash can properly illuminate a subject assuming the camera is set to a specific baseline ISO and f-stop (which happens to be ISO 100 and f/1.0).
A 430EX II makes a great flash for most Rebel bodies... having enough power to cover most situations with ease and it's a very reliable work-horse flash. It can operate as a \"slave\" but cannot operate as a \"master\" in a multi-light setup. But it does support 2nd curtain mode and high-speed sync modes. I don't consider it to be a problem that it can only be a \"slave\" because by the time you're ready to buy flash #2 (if you ever choose to get more flashes) then you just make sure flash #2 *can* be a master and then use the 430 as the slave (which is exactly what I did.)
The f/1.0 baseline works well because you can arrive at the effective distance by dividing the guide number by the f-stop you actually plan to use. E.g. if you're using f/5.6 then you divide 60 5.6 (which gets you about 10.7 meters which is about 35 feet).
Even if you have an E-TTL speedlite, it would still be a good idea to learn how to do flash photography entirely